There's also a lack of clarity around how and why these events can be stopped. Instead of making the main events in the present scarier they actually make them seem more mundane. The biggest problem here is that the backstory behind why all this is happening is uninteresting and revealed in tedious chunks throughout. The premise - that people receive cell phone messages from their future selves recorded just before the moment of their deaths - had a lot of potential but Miike spaffs all that up the wall by drowning the film in slow, boring exposition and skimping on the many inventive and creepy deaths this film should have contained. He's made some bravura masterpieces like Audition and 13 Assassins but he's also churned out a lot of overlong, incoherent stinkers, of which this is one.
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Even fans of Takashi Miike (I'm one) should be honest.
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